The 2019 Society of Women Artists Exhibition online pre-selection process is open on Thursday 28th February 2019. Entry will be open to both members and non-members and this will be the 158th exhibition from the society.
The Society of Women Artists
The Society of Women Artists (SWA) is a British art body dedicated to celebrating and promoting fine art created by women. Originally founded as the Society of Female Artists in 1855, it offered women artists the opportunity to exhibit and sell their works. Annual exhibitions have been held in London each year since 1857.
The 2019 Exhibition
The 2019 exhibition will be held in the renowned Mall Galleries, London and artists can each submit up to four pieces of work. All medias are applicable, including; painting, pastel, drawing, mixed media and sculptures. Entry is open to both members and non-members with entry at £15 per work or £8 for those artists aged 35 and under.
All those wishing to submit their works must digitally upload their file by noon on the 20th June 2019. You must upload your work online through The Mall Galleries submission system here. Those fortunate to be selected will be notified on the 28th June 2019. Subsequently, following on from this, the exhibition will be open to the general public from Tuesday 24th September to Sunday 29th September. Additionally, all works within the exhibition will be for sale.
There are a variety of awards available and highlights include; the Princess Michael of Kent Award, The SWA Fine Art Award (£500), The SWA Special Fine Art Award (£2,000), Karin Walker Young Artist Award (£1,000), Derwent Special Fine Art Award (£500 of art materials) and the St Cuthberts Paper Mill Award. In addition to the, Jackson’s Art Supplies will be sponsoring the People’s Choice Award.
To view previous works from 157th exhibition, click here.
As an artist or photographer, there is always the option of taking any printing requirements you have in house and completing this process yourself. This can be a daunting experience and often you’re left wondering, where to start? However, why not let that hassle be taken away? Of course, we believe you should use a fine art printer for your work whether you’re a photographer or an artist, but here are 6 reasons why we truly believe this is the best and most convenient way of producing your art.
1. Real, honest and bespoke advice
We see thousands of pieces of artwork and photography every single year, therefore we believe we are in the best place to give you honest and truthful advice when you need it. Experience and knowledge comes from our involvement over the years. We can assist in colour correction and advise on how it is best to print your artwork or photography.
2. Knowledge and understanding of colour and workflow processes
Printing is our day job! Why waste time having to solve the problems yourself? We’ve probably encountered the issue before so can generally have a quick fix with any technological problems. Spending time on understanding printers and colour calibration is not what you really want to be doing. Giving you more time to create your beautiful artwork. Also, we are the only print studio in the UK to be certified by the three biggest paper manufacturers; Hahnemühle FineArt, Canson Infinity and Epson Digigraphie consequently proving our expertise in the industry.
3. Options – and lots of them!
Why spend a fortune on purchasing different types of paper? You may want to use different papers for your different subjects; which can be an expensive overhead. We have an extensive variety in stock at all times so we guarantee you will be able to find the perfect paper for your print when ordering with us. Also, if you need advice or guidance on selecting the best substrate for your print, just ask! We will always be more than happy to help. We use the best quality materials and inks and the cost savings of this are passed on to you. Additionally, it’s unlikely for most people to invest in printers that can produce fine art prints much bigger than A3, therefore by using a fine art printing you are not limited in your print size. Our printers here at The Artist’s Print Room go up to 44″ wide!
4. Technical knowledge
Sometimes, printing isn’t a straight forward process. We’ve all had the dreaded paper jam! But imagine that with heavenly but expensive fine art paper – we take care of all those pesky handling issues that you could encounter when printing at home. In addition to this, we are meticulous about colour and calibration – ensuring that our systems are working accurately. This is a time consuming process which we take care of. Our business is print, therefore we aim to always stay ahead of trends and new technologies.
5. Care and understanding
Our passion is stunning art and photography, therefore, we understand how important it is to get the final print perfect every time. We care greatly that you will be more than satisfied with the finished product and endeavour to spend as much time as it takes to get each print right, every single time. You may be able to produce prints at home, but sometimes you can’t get them just quite right. Again, this is where we can assist in taking that pressure off you.
6. Ease and convenience
Probably one of the biggest benefits! When using a fine art printer, we can do everything for you. You can purchase a stunning mounted or framed print from us. This ensures your final piece is ready to hang as soon as it’s delivered to you. Our simple online ordering form allows you to work through all the printing options we have in an easy step-by-step process. Therefore, once your print has been ordered, you can sit back and relax until it arrives!
Overall, not only are you purchasing a final print from us, you’re investing in many years of our expertise and experience. So overall, there are our top 6 reasons why we believe you should use a fine art printer for both your art reproductions and photography printing requirements. What other struggles do you see in printing your own work at home? Let us know and we would love to be able to show you how we can help!
When using a small business and their services, sometimes it’s nice to get to know more about the business and who is behind it all! Therefore, we’ve given Mark a few questions so everyone can get to know him and The Artist’s Print Room a little better!
What inspired you to set up The Artist’s Print Room?
My wife, Helen, had been trying to get her work copied and printed. She had worked with local printers and national printers, each having there own problems in capturing and reproducing her work. Helen, couldn’t get printers to reproduce the artwork consistently, even during a print run, there would be variations. On returning from work, I found a very large crate on the door step, Helen, appeared out of the front door and said “I’m going to print my own work” and so, the rest they say, is history!
What were you doing previous to The Artist’s Print Room?
My core is I’m a fault diagnostics engineer, and for 10 years, I’d set up and run my own successful engineering business. In 2016, I left engineering behind to study my passion which was photography. As a young man, photography was not a trade. My Father had told me to get a real job in engineering, and that’s the route I took. Life, had sprung me an opportunity, and I realised I could choose my own destiny. After a few years I got the opportunity to work with a great Chef, that changed my world, I was now working in food photography. With social media now playing a greater hand, work, was not as profitable as before, therefore Helen, buying a printer came at the right time for me.
Where would you like to see The Artist’s Print Room in the next 10-15 years?
I’d like to see steady growth, not just financially, but in the reach and breath and variety of types of work my clients produce. We already have hundreds of artists and photographers from across Europe and the UK. I really hope Brexit doesn’t hamper this growth.
What is your typical day like?
A typical day starts at 6am, my morning coffee, computers, printers turned on and then a quick nozzle check. Setting up the packing bench and packaging all the prints ready to take to the post office, ideally I like to get this done before 9.30am. At 10am, my first client arrives, this could be an introductory meeting, collection, or colour editing session – it varies day to day! I typically see 4/5 clients per day. Then at around 5pm I start printing the days orders, this sometimes takes me through to midnight to complete. On days where a large order has to be printed or artwork photography has to be done, I will not meet with clients. Telephone enquires take up a large proportion of my day, A typical enquiry can last for 20 or so minutes.
What do you think makes TAPR different from other fine art printers?
Communication, as many people know, I can talk for Britain! But I spend great deal of my time listening and understanding my clients wants and needs, then explaining in plain English, what we can do and what is achievable. Communication to me is the most important factor for success with The Artist’s Print Room.
What do you find most enjoyable with The Artist’s Print Room?
Meeting and chatting to my clients, Listening to their problems, it’s important to me to allow my clients to talk freely, to express their thoughts and concerns. The ability to listen and understand is a powerful thing, an art of communication that has gotten lost in this digital age of social media and email.
What’s the one thing you would like everyone to know and understand about printing?
Image file quality is king! Although we have great software that can repair or alter and enlarge poor files, the basis is its still a poor image file. Start with a high resolution ultra sharp capture and the prints will be ultra sharp and have perfect colour.
What motivates you?
Development! As an engineer, (yes, I still see myself as an engineer first, it’s a way of thinking), I was always moving forward, make it better, faster, stronger and more efficient. Constant learning, constant development, constant research into new practices, new papers, new techniques, better understanding of colour management. Development, what can be done, I do NOT believe in the impossible.
What has been the most satisfying moment for you and The Artist’s Print Room?
Getting the Hahnemühle Certified Studio in 2017, that took me over two years of persistence. For whatever reason there were constant changing goalposts and seeing other companies certified that didn’t stock Hahnemühle papers kept me focused on achieving this. As always, I never gave in, I just dug my heels in, and drove forward. I never believed for a second that I wouldn’t achieve it at some point.
How do you relax after a long day at work?
Murder! I have a love of murder mysteries, it started with Columbo as a child, now it’s CSI, Criminal Minds or Dexter. But don’t worry, to calm my murderous thoughts, I love the outdoors, walking, climbing, just being away from everything that is man made or technological, sitting at the top of Hellvelyn in the Lake District or Tryfan in Snowdonia, on a snow capped morning, that’s where I’m at my absolute happiest.
Finally, if you had a magic wand, what three things would you like to change about the industry?
1. I would love a clear definition for Limited Editions to be in Law, nearly everybody I speak to in the industry gets this wrong. 2. Ban the sale of consumer printers, I get hundreds of calls from people who buy these machines, and then want advice from me on how to get their prints correct. 3. Ban the sale of cheap art at places like Ikea, Dunelm, B&Q, this cheap art stops professional artists and photographers from being able to sell their work at good prices that represent the work and time that goes into them.
Thank you to Mark for answering all the questions! Is there anything though that you would like to know about Mark or The Artist’s Print Room? Why not send your questions to us via Facebook!