giclee print Archives - The Artists Print Room (Giclée Printing)

Signing fine art prints

When it comes to signing fine art prints, there are some unwritten rules to be aware of. It’s important to consider these factors if you are hoping to make money and sell your work. Here we have put some tips together for you to help explain the most common practices in the industry.

The Importance

Firstly, the most important thing to remember is, it’s really down to you! You’re the artist, it’s your work that you have spent time creating. Signing your print can generally increase the sales price, this Huffington Post article from 2011 suggests the value can be increased by at least two times. Additionally, your work is something to be proud of and you should therefore put your name to the piece and claim your rights as the artist.

Signing should be an automatic part of the production process and should be one of the first things you do once receiving your prints (after unwrapping the packaging, of course!) Also, by signing your prints, you are giving your approval of the work.

Signing The Print

Traditionally, prints are signed at the bottom, in the margin, as follows;

The left hand corner details the edition number and edition size (if applicable). For example, edition number 4 of 50 would read as 4/50.
In the middle, you would add the title. Again, this is only if applicable. Not all artists title their artwork so don’t feel this is necessary.
The right hand side is where the most important thing comes; the signature. Your signature is your brand, be creative and distinctive. We would highly suggest not using your day to day signature that you use for things such as banking. Make this signature different! For creative inspiration, take a look at this list of artist signatures.

It is also incredibly important to not sign within the width of your print area. Make sure you stay away from your borders as if you’re subsequently having your print frame, you may find this is covered over or even worse, cut off! If in doubt, seek advice from your framer before signing your fine art prints.

Tools For The Job

When is comes to signing fine art prints, you need the right tool! We would suggest using a pencil on matt papers such as the Hahnemühle Museum Etching. Here at The Artist’s Print Room, we always recommend a mechanical pencil such as a Pentel P209 with a 2B lead. However, for other papers with a gloss coating such as the Canson Infinity Platine Fibre Rag, do not sign with a regular ball point pen or maker pen! It’s vital to use a pen which is archival and acid free in order to prevent any spoiling of your work. One excellent choice would be the Sakura Pigma Pens. Using such pens will ensure the ink doesn’t fade or discolour subsequently affecting your print.

As an alternative or even as an addition to hand signing, you could emboss your print to add a really special extra touch.

Did you know that we are the only fine art printing company in the UK which has been accredited by Canson Infinity, Hahnemühle Fine Art, Epson Digigraphie, ILFORD and a member of the Fine Art Trade Guild? Also, why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

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Ordering your fine art giclée prints

When it comes to ordering your fine art giclée prints, it can be a confusing process, with so many options to be aware of. Here at The Artist’s Print Room, we have tried our best to ensure our online ordering system is straight forward and easy to use.

Firstly, head over to our online shop. You’ll find this option at the top of our website. The blue box saying ‘Order Here!’ will take you directly through to our online ordering system.

By heading through to our online shop, you will see the following four options:

From here, to order giclée prints, head over to the printing option. Here you will see a number of different options, including deckled edge prints, poster printing, greetings cards and print proofs. If you’re not sure how your final print will look or your just starting out in the world of producing your artwork or photography as giclée prints, it might be worth considering print proofs in the first instance.

Print Proofs

Our print proofs are 280x120mm as standard (other size options are available though). You can order print proofs on any of the fine art substrates that we offer and prices start at just £7.50. Print proofs give you the best opportunity to take a closer look at the colours, substrates and quality of our products before committing to a full sized print.

Giclée Printing

If you’re ready to go ahead and order your giclée prints, then head straight to our online order form. Here you will be taken step-by-step through the options available to you. Firstly, you will need to select your print size. You can order generic paper sizes or alternatively bespoke print sizes. Prices here start at £9.00 for an A5 print.

Secondly, you can add a plain border to your print. If you’ve added a border to your print file already, please make sure to select the relevant option. Alternatively, you can ask us to add one on for you and let us know what size you would like this.

Then comes the exciting bit! Select from our wide range of substrates available. Take your pick from our gloss, matt or textured fine art papers. We have 15 papers to select from plus two canvas substrates.

Following on from your substrate selection you can add on the option of having a certificate of authenticity. These are a great addition, particularly if your print is part of a limited edition. Once you’ve completed all these stages you will receive a bespoke price according to your selections. Please note, we also offer discounts on multiple orders starting at six prints. If you have a print run of over 100, please do contact us for further information and pricing.

There you go! Ordering your giclée prints is as simple as that! Once you’ve added your products to basket, follow our simple instructions to upload your files, then sit back and relax! Your order will be on the way to you shortly. We will be in touch if there are any issues or questions, additional, please feel free to contact us if you have any questions too!

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How to select a fine art printing service…

When taking that first leap into the world of producing your work as either artwork reproduction prints or fine art photography prints, it can be daunting. It’s also difficult to decide on who to trust with this specialist work. Here are our top tips in selecting a fine art printing service and some of the important factors you should consider.

Experience

Possibly the most important factor when selecting a fine art printing service. Ensure you are selecting a business with a good number of years behind them. This vast amount of experience speaks volumes in itself. A fine art printing company that has been around for several years, is more than likely to know their stuff, this includes overcoming hurdles such as technical issues. They are also more likely to understand your requirements and be able to advise honestly and truthfully when you need some assistance. If in doubt, it is always worth asking to see some examples of work they have previously printed for other artists and photographers.

Accreditations

There are many accreditations within the industry, in particular ones from paper manufacturers themselves. These large, global firms are not going to recommend fine art printing services of sub-quality. Therefore, shop around, ask the fine art printing companies which accreditations they have. These accreditations proves that they are up to standard and have close working relationships with some of the biggest manufacturers in the industry. Did you know that we are the only UK based fine art printer to be certified by Epson Digigraphie, Canson Infinity, Hahnemühle FineArt and ILFORD Imaging? We are also members of the Fine Art Trade Guild. Having these certifications really allows us to keep up with trends and news from these companies. Additionally, it also proves that we have been rigorously tested and checked in our print standards.

Options

It’s good to use a fine art printing service which provides you with different options. Although, not too many options! You want to use a business that can give you a range of different fine art papers so you have a few choices for which works best for your artwork reproductions or photography. A select number of industry leading papers should be offered alongside a few alternatives; giving you the artist, some variation. Having a select range of substrates ensures the printer knows how to handle each of the papers and understands the colour workflow processes to ensure you have the most perfect print. However, some fine art printing services decide to offer all the fine art papers known to man! This can be troublesome in that it can be confusing with so many options available. Furthermore, it could be likely that some of these lesser used or liked fine art papers could be sitting on a shelf exposed to the elements for a long time which is not ideal!

Convenience

An easy to use and simplistic ordering process is always a good start for time pressed artists and photographers. Being able to upload your images and know they are being cared for can create a great peace of mind for you. As an artist or photographer is important to free up your time so you can focus on creating your artwork. Therefore, always find a fine art printing service that you trust to take this hassle away from you. Also, it’s worth considering if your fine art printing service are easy to get hold of? If you have a pressing question, will they come back to you in a reasonable time period with answers, advice and suggestions? The art and photography industry can be incredibly subjective so it’s always great to have someone to validate your processes and work with. An excellent fine art printing service will do this for you and assist every step of the way.

It’s also worth remembering, cheap is not always best. You are looking for a fine art printing service rather than a photocopy shop! With a slightly higher price, you’re much more likely to receive a more personal service with great communication and advice in addition to the best fine art printing materials available.

Please feel free to contact us for a quick introductory chat, we would love to find out more about you and how we can help you as an artist or photographer. We pride ourselves on excellent customer service so you can also contact us on 07809 381 978 either over the phone or by WhatsApp. You can also get in touch through Facebook Messenger at anytime.

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Bespoke Christmas Greeting Cards

It’s coming up to that time of year again… The nights are starting to draw in, the temperature is dropping and our supermarkets are being stocked full of seasonal goodies! Christmas is now just around the corner and it’s time to start planning.

This year, why not do something extra special and have your artwork or photography printed onto bespoke Christmas greeting cards? You could increase your turnover by producing your artwork or photography as an additional product. By having your image printed on a card, you’re offering your customers something truly special and bespoke. You could take your favourite winter holiday image, whether this be either a photograph or a painting of the scenery and turn it into greetings cards that recipients can keep and frame.

Bespoke Christmas Greeting Cards

Our greetings cards are digitally printed using pigment inks and FSC approved acid free 300gsm card. This allows you to order quantities as low as twelve-cards per design, provided they are on the same substrate (we also provide discounts for larger quantities). We offer various sizes including; 6×4″, 7×5″ or 8×5.6″ all available as either portrait or landscape (folded along the long side). Additionally, we can produce square cards for something a little different which are 100x100mm and 145x145mm. Each greetings card can be printed either with or without a border and we also include a small thumbnail on the back of each card of your work and also the image title, your name and website address.

But, the best bit! You don’t need to worry about downloading a template and having to layout the design yourself! We are happy to take that pressure away from you. Once you upload your image through our online ordering system we will design and proof your greetings cards (free of charge!) Of course, we will send you a proof for approval before going to print ensuring you’re happy with your personalised product. Our minimum order is just twelve greetings cards per design and all are provided with corresponding envelopes and cello sleeves and are sent to you flat packed and pre-creased so your cards are ready for their handwritten note and then the postbox!

Turnaround time for greetings cards printing is between five and ten days, however, this can be slightly longer at peak times so please check with us if you’re working to a tight deadline.

Order your bespoke Christmas greeting cards online using our simple to use online order form.

Did you know that we are the only fine art printing company in the UK which has been accredited by Canson Infinity, Hahnemühle Fine Art, Epson Digigraphie, ILFORD and the Fine Art Trade Guild? Also, why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

Don’t forget to follow us on Facebook and Instagram too!

Gloss Fine Art Papers

So, here we will run through the gloss fine art papers we offer in addition to the textured and smooth fine art papers previously looked at.

Gloss Fine Art Papers

The most important thing to be aware of here when considering a gloss fine art paper is that when we talk about gloss, this tends to be more of a subtle lustre or satin finish. Not the high gloss on your standard photographic prints that you get produced. These finishes are much more subtle and arguably more exquisitely beautiful.

Canson^® Infinity Platine Fibre Rag

Canson Platine Rag - The Artist's Print Room — ©Canson Infinity Platine Fibre Rag

The Canson® Infinity Platine Fibre Rag is a combination of the combination of the premium 100% cotton Platinum paper that Canson has supplied for many years to the original Platinum and Platine photographic market, with the latest microporous coating. The paper contains no optical brighteners, thus not affecting the longevity of the print. An excellent choice of paper for both black and white or colour images. A 310gsm which overall provides a stunning satin finish to your image.

Hahnemühle PhotoRag Satin

Photo Rag Satin - The Artist's Print Room — ©Hahnemühle Photo Rag Satin

As above, this paper from but from Hahnemühle is a 310gsm, and has a satin finish. A smooth surface and 100% cotton rag, the paper has a lovely natural white tone. A unique paper in that when you image is printed on this paper, the unprinted areas remain matt, however, the printed areas have a slight sheen. Your image almost shimmers in the light.

Hahnemühle FineArt Pearl

FineArt Pearl - The Artist's Print Room — ©Hahnemühle FineArt Pearl

The Hahnemühle FineArt Pearl is a 285gsm paper and provides your prints with a sensational pearl finish. This paper isn’t cotton rag like others previously mentioned, it’s a 100% a-cellulose paper (which is wood pulp) and has a bright white tone. Due to this bright white, prints will have impressive colour contrasts and the black in your images will have an incredible depth.

Hahnemühle PhotoRag Baryta

Photo Rag Baryta - The Artist's Print Room — ©Hahnemühle Photo Rag Baryta

Photo Rag Baryta is a 315gsm, 100% cotton paper and the ‘glossiest’ paper we offer. Using barium sulphate in the inkjet coating, ensuring the typical gloss that makes this paper a genuine replacement for traditional Baryta papers from analogue labs. The coating on this paper provides a water resistance and the tone of the base paper lends well to black and white prints.

ILFORD Gold Fibre Silk

The ILFORD Galerie Gold Fibre Silk 310gsm is a stunning traditional fibre based substrate. This fine art paper has both the look and feel of a traditional baryta paper which many artists and photographers love. With a high quality finish, it produces stunning black and white images in addition to colour prints, thanks to its excellent sharpness and wide colour gamut.

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Smooth Fine Art Papers

So previously we looked at textured fine art papers, but how about smooth fine art papers? All the papers listed below have a matte finish which are ideal for both photographers and artists for artwork reproductions.

Smooth Fine Art Papers

When paper is produced in the paper mill, smooth fine art papers are created with a much more smooth felt in comparison to the textured papers, this then produces the surface on the finished product. A smooth fine art paper can often be a good go to when just starting out or often used with portrait photography. It’s important to remember that when a paper is described as smooth it is not completely devoid of texture though!

Hahnemühle Bamboo

This Bamboo paper is made from 90% bamboo fibres and the additional 10% is made from cotton. More environmentally friendly than the cotton papers due to the fast growing bamboo, this paper has a lovely warm white colour to it. Due to it’s tone, it is ideal for warm coloured prints and monochrome images.

Canson^® Infinity Rag Photographique 310gsm

anson® Infinity Rag Photographique 310gsm - The Artist's Print Room — ©Canson Infinity Rag Photographique

This paper from Canson is 100% cotton and has an exceptional smooth white tone. During the manufacturing process, natural minerals are added and therefore give this tone to the paper. A very unique, smooth surface, however, there is still a tactile element to the paper which you can see in the close up image. This paper provides one of the highest achievable Dmax on the market, therefore making it a perfect solution for both fine art photography prints and art reproductions.

Hahnemühle Photo Rag Bright White

hahnemuehle photorag bright white - The Artist's Print Room — ©Hahnemühle Photo Rag Bright White

Hahnemühle’s most famous paper is probably their Photo Rag and this paper is a brighter version of their Photo Rag 308gsm. As above, a 100% cotton paper but with a bright white tone. A smooth surface, this paper can really make your colours ‘pop’ and really add definition to black and white imagery.

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Giclée Printing Services

Here at The Artist’s Print Room giclée printing is our speciality. We offer giclée printing services for all artist and photographer requirements. Additionally, we are the only UK based fine art print studio to be certified by the three most prominent paper manufacturers in the industry; Hahnemühle, Canson Infinity and Epson Digigraphie. These three accreditations prove our outstanding quality and enables us to stay at the forefront of new printing technologies and bring you the newest and highest-quality papers.

“Giclée is a digital printing process in which an inkjet printer is used to produce a high-quality art print”

We are a ‘true artist’s giclée printer’, therefore we truly appreciate and understand that your prints must be accurate in reproducing the fine hues and subtle details of your original work. We specialise in high quality substrates and exceptional giclée printing services, regardless of your order quantity, everything is produced to an exceptional standard.

Our Fine Art Printing Process

Artwork Photography: When it comes to art reproductions, the perfect giclée print; starts with perfect capture, get this wrong and your giclée prints will never be right. Our unique style of capture produces exceptionally detailed giclée prints that you can be proud of.

Editing: Colour editing is critical, everyone sees colour differently, apart from you the artist. It’s your work, so why let someone else colour correct this for you. View live soft proofing and print proofs. With us, you are always in charge.

Giclée Printing: Perfect capture and perfect editing, along with perfect ICC colour management means perfect giclée prints time and time again. Printed onto genuine fine art papers or canvases.

Direct Shipping: We can ship direct to almost anywhere in the world, either flat-packed or in postal tubes. All carefully packaged in archival wrapping and sealed ensuring that your prints arrive in perfect condition each and every time.

The Giclée Printing Process

The giclée print process requires four important aspects which are; resolution, inks, archival quality paper/canvas and the printer.

Resolution

Images you see on computer screens are usually at 72ppi (pixels per inch), however, for a Giclée quality print, an image must be at a minimum of 300ppi when an image is being viewed at 60cm or less distance. With a minimum of 300ppi, you are guaranteed the best quality print and ensuring your final image doesn’t appear to be ‘pixelated’.

Ink

Here at The Artist’s Print Room, we only use genuine Epson UltraChrome HDX pigment inks. These particular inks have high density levels of pigment giving you the most accurate of colour reproductions. In addition to this, the genuine Epson inks guarantee longevity when combined with the other aspects involved in the Giclée printing process.

Paper and Canvas

A vital part of the process which can also seem very daunting! With so many options to select from, the most important factor here is the archival qualities of the substrate. A fine art quality paper or canvas needs to be acid free and certified to last for at least 75-100 years. We stock the widest range of Hahnemühle Fine Art papers in the UK and you can find out more about our papers and canvases here.

Printer

A Giclée printer is very different when compared to a standard desktop inkjet printer. Typically to produce a Giclée print the printer requires at least eight different inks. Our Epson SC-P9000 printer provides the most superior quality images and can produce prints up to 44″ wide!

To find out more about our printing services please visit our Giclée Printing page.

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Canson® Infinity Rag Photographique

Canson have been producing fine art papers for artists since 1557 – that’s a long time, so they clearly know what they are doing! Since 2008 they extended their range to include the Canson Infinity brand which is their fine art inkjet paper portfolio. We have an extensive range of Canson Infinity papers and canvases for you to order, giving you a wide and varied choice in substrates including the Canson^® Infinity Rag Photographique.

One of the most popular papers in the Canson Infinity range is the Canson Infinity Rag Photographique 310gsm, used by many of our clients, this paper proves timeless in addition to being a beautiful product to work with.

Canson

Canson has almost half a millennium of history. Due to the traditional mix of paper making and advancements in technology, Canson has remained one of the last pioneers in the manufacturing of photographic paper. Between 1850 and 1880, Canson was seen as a major innovator in the photo paper industry. Leading on from that to the present day, the Canson Infinity range produces exquisite papers for digital inkjet printing. Canson Infinity is the brand name given to Digital Fine Art & Photo range crafted in the Canson mill offering you museum quality fine art papers.

Canson^® Infinity Rag Photographique

Canson Infinity Rag Photographique is a 100% cotton museum grade white fine art and photo paper. The exceptional smooth white tone is achieved during manufacturing by introducing natural minerals to the process. It has been developed to address the need for continued longevity requirements in the Digital Fine Art market. This paper offers a unique and extra smooth surface with an incredible sensual feel to it. It additionally provides one of the highest achievable Dmax currently available on the market, thus making it ideal for fine art photography, artwork reproductions and fine art printmaking.

Why not sign up to our mailing list to keep up to date with news and products at The Artist’s Print Room – just complete the form below.

Meet The Artist – Victoria Coleman

Happy New Year to everyone, we hope you’re settling in well and had a good start to 2019! We are continuing with our ‘Meet The Artist‘ articles this year. This week we have the talented Victoria Coleman answering some questions for us. How adorable are the dogs?!

When did you first discover your passion for art and painting?

Like most artists I loved loved painting and creating things from an early age and I was fortunate that my parents encouraged this, they even let me paint on the walls of bedroom!

Where do you get your inspiration from and what inspires you?

All sorts of things inspire me, a gallery could come up with a theme or someone could commission me to paint their dog with a great idea, I’m constantly looking for new ideas on social media and the internet or even my own dogs can inspire a collection!

How would you describe your style?

My style is a mix between realistic and illustrative, I used to paint Disney characters and I think that has influenced my style quite a bit.

What makes you different from other artists?

I use Bristol paints which is a water based paint used by scenic artists, I work in layers building up the detail, I also used an air brush to give my work depth.

What do you think is unique selling point?

Humour, just like people animals especially dogs have a sense of humour so I like to inject that into my work occasionally, I like to think my paintings will lift your spirits and make you smile.

What is the most challenging thing for you when it comes to chosen medium?

It’s not so much the medium but more the subject which I find most challenging. I do a lot of portraits so especially when I’m working on a commission it’s vital I capture the likeness and spirit of the subject which sometimes can be very difficult.

What would be your career dream? What project would you love to be able to complete one day?

To have a workshop in the garden, currently I work in the kitchen which can be very frustrating sometimes, I want to be able to spread out and have lots of projects on the go all around me! Ultimately I’d like to paint my own dogs but I never seem to have time, I’m also a little afraid I won’t do them justice!

Did you have another career prior to this? If so, what was it?

A prop maker, it was a great job, I worked in all sorts of fields from costume props for Star Wars and Gladiator to painting Disney sculptures for their flagship stores.

Where would you like to see yourself in 10-15 years’ time?

Still alive! Both my parents died in their 50’s and I’m going to be 50 next year so if I’m still around in 10-15 years’ time I hope I’ll still be creating….in my garden workshop!

What is your typical day like?

I get up at 6am and check my emails and do a bit of social media marketing while having a cup of tea, I also take a moment to watch YouTube videos of other artists and business owners and try to pick up tips on how to expand my knowledge, then I take my dogs for a walk.

After everyone’s had breakfast I’ll get on with either wrapping any bought work or listing work online in my shops or photographing work to be listed. Then I need to get on with whatever artwork I have on the go, I like to be painting/ sculpting by 11 o’clock at the latest.

I love listening to crime thriller audio books when I work, the narrator Jeff Harding really gets me in the mood to paint!

After lunch I’ll carry on painting or sculpting till tea time, my lovely neighbour takes my dogs for their afternoon stroll which really helps me focus and get in the zone..

We’ve recently adopted a kitten so there’s a queue for dinner around 6pm so I’ll feed the dogs and cat then do a little more work until about 7-7.30. Then I’ll have my dinner, I might do a bit more marketing in the evening if I get a chance.

What do you love the most about your job and what do you hate the most?

I’m happiest when I’m creating, I love the processes and the freedom to paint whatever I want and I hate never having enough time, being a small business owner means having to do everything yourself so I’m constantly having to learn new things which takes up a lot of time.

How do you relax after a long day?

In the evening I like to sit on the floor with a glass of wine and watch Midsummer Murders or Vera or Netflix while playing with the dogs…..lovely!

Well, we certainly believe Victoria’s paintings lift our spirits and make us smile! To view more of Victoria’s work you can visit her website, Facebook page, Instagram or Twitter accounts.

Meet the Artist – Tat Effby

In our most recent blog article series, Meet the Artist, we have spoken to hilarious cartoonist and illustrator; Tat Effby. She had us in stitches with some of her responses!

When did you first discover your passion for art and drawing?

I’ve always been a doodler but I didn’t fully commit to being a cartoonist and illustrator until about 5 years ago.

Where do you get your inspiration from and what inspires you?

Inspiration for my cartoons comes from anything, anywhere and anyone – so just be careful what you say when I’m in ear shot because you might find yourself immortalised in a badly drawn joke.

How would you describe your style?

Inconsistent but amusingly so.

What makes you different from other watercolour artists?

I’m not as good as them.

What is the most challenging thing for you when it comes to painting?

I’ve been known to spend a whole afternoon drawing a hand. And I find cats to be indescribably difficult to capture to my satisfaction.

What would be your career dream? What project would you love to be able to do/complete?

I’m doing my dream job as a cartoonist and illustrator so I just want to keep on going, keep improving and keep trying to be funny.

Did you have another career prior to this? If so, what was it?

I was an Advertising Copywriter and I came up with ideas and headlines for advertising campaigns, our office was kinda like Mad Men but with a West Midlands accent. It’s one of the most fun jobs you can have even if you weren’t allowed to do puns. But I’ve been making up for that over the last few years.

Where would you like to see yourself in 10-15 years’ time?

In 10-15 years time I’d love to see myself in the mirror, wrinkle-free, but I doubt that’s going to happen.

What is your typical day like?

Lots of coffee, a run, then lots more coffee at my desk drawing. Most days are this pattern, unless I’m picking up prints from The Artists’ Print Room, in which case I get to have a lovely jaunt to countryside.

What do you love the most about your job and what do you hate the most?

I love working from home, working for myself, getting paid to draw daft things and laughing at my own jokes. I hate hands, but I can always put them in pockets if they’re proving too difficult to draw.

How do you relax after a long day?

I like to bake a cake and eat a lot, if not all, of it.

You can find out more about Tat and her work on the following;

Instagram : @tat_effby

Twitter: @tat_effby

Twitter: @RTBinshrewsbury

Facebook: @aloadoftat

Facebook: @roundthebendinshrewsbury

Website: tat-effby.com

The Importance

Signing The Print

Tools For The Job

Print Proofs

Giclée Printing

Experience

Accreditations

Options

Convenience

Bespoke Christmas Greeting Cards

Gloss Fine Art Papers

Canson® Infinity Platine Fibre Rag

Hahnemühle PhotoRag Satin

Hahnemühle FineArt Pearl

Hahnemühle PhotoRag Baryta

ILFORD Gold Fibre Silk

Smooth Fine Art Papers

Hahnemühle Bamboo

Canson® Infinity Rag Photographique 310gsm

Hahnemühle Photo Rag Bright White

Our Fine Art Printing Process

The Giclée Printing Process

Resolution

Ink

Paper and Canvas

Printer

Canson

Canson® Infinity Rag Photographique

Canson^® Infinity Platine Fibre Rag

Canson^® Infinity Rag Photographique 310gsm

Canson^® Infinity Rag Photographique