giclee printing UK Archives - The Artists Print Room (Giclée Printing)

Successful Exhibitions

Perhaps you’ve decided 2020 will be the year you start attending and displaying your work at exhibitions. You could hold your own exhibition dedicated to your work alone or perhaps partake in one of the many organised across the country. Exhibitions can be a fantastic opportunity to show your work off in all its glory as visitors will come to you and they are the perfect opportunity for showcasing to potential clients and art buyers.

Preparing for a successful exhibition can be a very daunting experience, even if you’ve attended them before! There is a lot to consider prior and you should be prepared for things to come up that you wouldn’t have imagined! Here we have put together some top tips on holding a successful exhibition.

booking your space

The most important factor here is RESEARCH! If you’re looking at attending an organised exhibition, have you attended it before? If not, speak to your contacts, do they recommend it? Also take into consideration the type of visitors expected – would you work fit in with their tastes and budgets? When you’ve settled on this, speak to the event organisers and understand what is included in your stand fee. Your booking fee for space is a large overhead so ensure you are getting all you can from it. Is there suitable space to hang your work or would you need to provide this?

Additionally, what promotion will be involved from the organisers for you? Do they promote the event locally or perhaps nationally? It may be worth negotiating if possible on a stand location within the exhibition too. If you know who else is attending and where they will be located, consider work that complements yours and ask for a stand location according to this.

logistics

Perhaps one of the most onerous parts of preparing for a successful exhibition is working out how you are going to get there with all of your work. Will you need to hire a van for the occasion or perhaps ask a logistics company to undertake this challenge on your behalf – just make sure they are insured accordingly and have relevant experience to avoid any damages or potential issues. You will need to take a suitable amount of work with you to display, don’t over do it though!

Furthermore, if the exhibition is not local to you, ensure you book your accommodation in advance. Some large scale exhibitions attract vast numbers of visitors and local hotels and B&B’s get booked up well in advance.

You may also want to consider taking someone with you to help out. Do you have a reliable friend or colleague that can head over with you? It will probably be worthwhile having some assistance if possible so you can both take suitable breaks and explore the rest of the exhibition for market research purposes!

Also, never, ever forget items such as pens, paper and scissors! Trust us, you’ll will always need these at some point!

promotion

Both prior and whilst you are attending the exhibition, you need to promote that you are there! Using social media is a great opportunity for this as you can target people who are already interested in your work as well as others that may be interested in other exhibitors.

You should also ensure you have plenty of marketing material with you at all times too, this can include business cards or flyers. Include your contact details on these so visitors who can’t stop thinking about your work after the event can get in touch!

It would also be a good idea to have some information displayed about each piece of work you have with you. This can just be a couple of lines on a small label, it is also worthwhile including the price too.

during the event

No body knows your work better than you do! Be prepared to talk all day long about it and what your inspiration is. Be enthusiastic and approachable to all visitors. You need to enjoy your time at the event otherwise this will come across negatively to and visitors. All the hard work will be worth it and take a couple of days off afterwards to rest, you’ll be surprised how tiring these exhibitions can be! Don’t be tempted to take a seat though whilst you’re at the exhibition, it can come across very casual to potential clients so make sure you wear some comfortable shoes too!

If you are selling directly at the exhibition, it is worthwhile investing in a card payment facility. Fewer and fewer of us are carrying cash around and this can really make life much easier for you and your customers. There are many different options available now and many of these can be used through a mobile phone. Here is a comparison site that you can take a look at which details all the different options available to you.

most importantly

Things will go wrong, it’s inevitable, even if you’re a seasoned pro at exhibitions. But that’s fine! Learn from your mistakes and don’t be disheartened by them everyone forgets something every once in a while. Just remember, something may go wrong, but it’s highly unlikely that your visitors will even notice and inevitably you will have a successful exhibition!

Have you attended any exhitibitions recently? Which ones would you recommend for photographers and artists? Or perhaps you’re planning on attending some yourself throughout 2020 – let us know, we would love to hear from you and you never know, we may be able to pop along too!

Did you know that we are the only fine art printing company in the UK which has been accredited by Canson Infinity, Hahnemühle Fine Art, Epson Digigraphie, ILFORD and the Fine Art Trade Guild? Also, why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

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12 Fine Art Papers of Christmas

Did you see our 12 days of fine art paper posts over Christmas on Instagram or Facebook? If you missed them, head on over and take a look! We’ve also listed our top 12 papers here for you to check out, featuring Hahnemühle, Canson Infinity and St Cuthberts Mill…

1. Hahnemühle PhotoRag Bright White 310sm

Hahnemühle Bright White Paper Texture - The Artist's Print Room

On the first day we have a customer favourite, the Hahnemühle PhotoRag Bright White. This paper is based on the well-known PhotoRag 308gsm, however, it has a stronger white tone which can really make your images pop! Also a great choice for black and white photography

2. Canson Infinity Platine Fibre Rag 310sgm

Canson Infinity Platine Fibre Rag Paper Texture - The Artist's Print Room

Onto day 2 and we have the Canson Infinity Platine Fibre Rag 310gsm. This fine art paper is 100% cotton with no optial brighteners added so your prints will truly last. The microporous coating of this paper gives a wonder satin finish to your artwork or photography

3. Hahnemühle Agave 290gsm

On day 3 we have the Hahnemühle Agave which forms part of their

Hahnemühle Agave Paper Texture - The Artist's Print Room

Natural Line of papers. This paper is made from 70% agave fibres and 30% cotton rag making it a sustainable choice for your fine art #photographic or #artreproductions. The fibres of this paper give a stunning natural white tone which adds great definition to your work.

4. Hahnemühle PhotoRag Satin 310gsm

Another Hahnemühle paper is featured on day 4! The PhotoRag Satin is

Hahnemühle PhotoRag Satin Paper Texture - The Artist's Print Room

another adaptation of the famous PhotoRag 308gsm. However, this paper has a subtle satin finish which can really add something extra special to your work. This paper provides a lovely smooth surface in addition to a natural white tone.

5. Canson Infinity Museum ProCanvas 385gsm

On day 5 we have a canvas! The Canson Infinity Museum ProCanvas is the

Canson Infinity Museum ProCanvas Texture - The Artist's Print Room

perfect choice if you are looking for canvas wraps to be produced. Just check out that incredible texture that this substrate can give you! Other benefits of this canvas include water resistance and it’s made from 100% cotton!

6. St Cuthberts Mill Somerset Enhanced White 330gsm

St Cuthberts Mill Somerset Enhanced Paper Texture - The Artist's Print Room

Day 6 features a St Cuthberts Mill paper. The Somerset Enhanced White 330gsm has an outstanding heritage. In addition to this, not only is it 100% cotton but it’s also acid free. The paper with its natural felt texture gives a fine art feel to any artwork reproduction or photography print.

7. Hahnemühle PhotoRag Metallic 340gsm

Hahnemühle PhotoRag Metallic Paper Texture - The Artist's Print Room

Onto day number 7 and we have some shimmer! The Hahnemühle PhotoRag Metallic 340gsm is one of their more recent papers. The specially formulated coating to this PhotoRag paper gives a shimmer to your fine art print, guaranteed to attract attention! This fine art paper is most suitable for prints that won’t be behind glass so you can benefit from it’s finish.

8. Canson Infinity Arches Aquarelle Rag 310gsm

Back to Canson Infinity on day 8. The Arches Aquarelle Rag 310gsm has an

Canson Infinity Arches Aquarelle Rag Paper Texture - The Artist's Print Room

outstanding texture. Perhaps most popular for watercolour reproductions due to the texture, this fine art paper is 100% cotton and has a matt finish.

9. Hahnemühle Bamboo 290gsm

Hahnemühle Bamboo Paper Texture - The Artist's Print Room

Day 9 features the Hahnemühle Bamboo which forms part of their new Natural Line of papers. An excellent choice for those that are keen on using more sustainable materials in their artwork and photography. This fine art paper has a warm natural tone and is produced with 90% bamboo fibres (which is fast growing when compared to other paper making materials) and 10% cotton.

10. Canson Infinity Rag Photographique 310sm

Fine art paper number 10! The Canson Infinity Rag Photographique

Canson Infinity Rag Photographique Paper Texture - The Artist's Print Room

310gsm is another firm favourite with our customers. This fine art paper has a smooth white matte tone which is created by natual minerals being added during the production process. Not only is it a brilliant choice for artwork reproductions but it can be used for traditional printmaking too!

11. Hahnemühle PhotoRag Baryta 315gsm

Hahnemühle PhotoRag Baryta Paper Texture - The Artist's Print Room

We are nearly at the end! But on day 11 we have the Hahnemühle PhotoRag Baryta. This paper has a high gloss coating which can really add contrast to your prints particularly if they are in black and white. A great alternative to traditional baryta paper used in photography.

12. Hahnemühle William Turner 310gsm

On day 12, last but no means least… the Hahnemühle William Turner

Hahnemühle William Turner Paper Texture - The Artist's Print Room

310gsm. The texture on this paper speaks for itself! If you’re looking for a heavily textured, matte paper, this is your perfect option!

You can always check out the other papers we offer too on our papers and canvas page. Which one is your favourite?

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Signing fine art prints

When it comes to signing fine art prints, there are some unwritten rules to be aware of. It’s important to consider these factors if you are hoping to make money and sell your work. Here we have put some tips together for you to help explain the most common practices in the industry.

The Importance

Firstly, the most important thing to remember is, it’s really down to you! You’re the artist, it’s your work that you have spent time creating. Signing your print can generally increase the sales price, this Huffington Post article from 2011 suggests the value can be increased by at least two times. Additionally, your work is something to be proud of and you should therefore put your name to the piece and claim your rights as the artist.

Signing should be an automatic part of the production process and should be one of the first things you do once receiving your prints (after unwrapping the packaging, of course!) Also, by signing your prints, you are giving your approval of the work.

Signing The Print

Traditionally, prints are signed at the bottom, in the margin, as follows;

The left hand corner details the edition number and edition size (if applicable). For example, edition number 4 of 50 would read as 4/50.
In the middle, you would add the title. Again, this is only if applicable. Not all artists title their artwork so don’t feel this is necessary.
The right hand side is where the most important thing comes; the signature. Your signature is your brand, be creative and distinctive. We would highly suggest not using your day to day signature that you use for things such as banking. Make this signature different! For creative inspiration, take a look at this list of artist signatures.

It is also incredibly important to not sign within the width of your print area. Make sure you stay away from your borders as if you’re subsequently having your print frame, you may find this is covered over or even worse, cut off! If in doubt, seek advice from your framer before signing your fine art prints.

Tools For The Job

When is comes to signing fine art prints, you need the right tool! We would suggest using a pencil on matt papers such as the Hahnemühle Museum Etching. Here at The Artist’s Print Room, we always recommend a mechanical pencil such as a Pentel P209 with a 2B lead. However, for other papers with a gloss coating such as the Canson Infinity Platine Fibre Rag, do not sign with a regular ball point pen or maker pen! It’s vital to use a pen which is archival and acid free in order to prevent any spoiling of your work. One excellent choice would be the Sakura Pigma Pens. Using such pens will ensure the ink doesn’t fade or discolour subsequently affecting your print.

As an alternative or even as an addition to hand signing, you could emboss your print to add a really special extra touch.

Did you know that we are the only fine art printing company in the UK which has been accredited by Canson Infinity, Hahnemühle Fine Art, Epson Digigraphie, ILFORD and a member of the Fine Art Trade Guild? Also, why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

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Ordering your fine art giclée prints

When it comes to ordering your fine art giclée prints, it can be a confusing process, with so many options to be aware of. Here at The Artist’s Print Room, we have tried our best to ensure our online ordering system is straight forward and easy to use.

Firstly, head over to our online shop. You’ll find this option at the top of our website. The blue box saying ‘Order Here!’ will take you directly through to our online ordering system.

By heading through to our online shop, you will see the following four options:

From here, to order giclée prints, head over to the printing option. Here you will see a number of different options, including deckled edge prints, poster printing, greetings cards and print proofs. If you’re not sure how your final print will look or your just starting out in the world of producing your artwork or photography as giclée prints, it might be worth considering print proofs in the first instance.

Print Proofs

Our print proofs are 280x120mm as standard (other size options are available though). You can order print proofs on any of the fine art substrates that we offer and prices start at just £7.50. Print proofs give you the best opportunity to take a closer look at the colours, substrates and quality of our products before committing to a full sized print.

Giclée Printing

If you’re ready to go ahead and order your giclée prints, then head straight to our online order form. Here you will be taken step-by-step through the options available to you. Firstly, you will need to select your print size. You can order generic paper sizes or alternatively bespoke print sizes. Prices here start at £9.00 for an A5 print.

Secondly, you can add a plain border to your print. If you’ve added a border to your print file already, please make sure to select the relevant option. Alternatively, you can ask us to add one on for you and let us know what size you would like this.

Then comes the exciting bit! Select from our wide range of substrates available. Take your pick from our gloss, matt or textured fine art papers. We have 15 papers to select from plus two canvas substrates.

Following on from your substrate selection you can add on the option of having a certificate of authenticity. These are a great addition, particularly if your print is part of a limited edition. Once you’ve completed all these stages you will receive a bespoke price according to your selections. Please note, we also offer discounts on multiple orders starting at six prints. If you have a print run of over 100, please do contact us for further information and pricing.

There you go! Ordering your giclée prints is as simple as that! Once you’ve added your products to basket, follow our simple instructions to upload your files, then sit back and relax! Your order will be on the way to you shortly. We will be in touch if there are any issues or questions, additional, please feel free to contact us if you have any questions too!

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How to select a fine art printing service…

When taking that first leap into the world of producing your work as either artwork reproduction prints or fine art photography prints, it can be daunting. It’s also difficult to decide on who to trust with this specialist work. Here are our top tips in selecting a fine art printing service and some of the important factors you should consider.

Experience

Possibly the most important factor when selecting a fine art printing service. Ensure you are selecting a business with a good number of years behind them. This vast amount of experience speaks volumes in itself. A fine art printing company that has been around for several years, is more than likely to know their stuff, this includes overcoming hurdles such as technical issues. They are also more likely to understand your requirements and be able to advise honestly and truthfully when you need some assistance. If in doubt, it is always worth asking to see some examples of work they have previously printed for other artists and photographers.

Accreditations

There are many accreditations within the industry, in particular ones from paper manufacturers themselves. These large, global firms are not going to recommend fine art printing services of sub-quality. Therefore, shop around, ask the fine art printing companies which accreditations they have. These accreditations proves that they are up to standard and have close working relationships with some of the biggest manufacturers in the industry. Did you know that we are the only UK based fine art printer to be certified by Epson Digigraphie, Canson Infinity, Hahnemühle FineArt and ILFORD Imaging? We are also members of the Fine Art Trade Guild. Having these certifications really allows us to keep up with trends and news from these companies. Additionally, it also proves that we have been rigorously tested and checked in our print standards.

Options

It’s good to use a fine art printing service which provides you with different options. Although, not too many options! You want to use a business that can give you a range of different fine art papers so you have a few choices for which works best for your artwork reproductions or photography. A select number of industry leading papers should be offered alongside a few alternatives; giving you the artist, some variation. Having a select range of substrates ensures the printer knows how to handle each of the papers and understands the colour workflow processes to ensure you have the most perfect print. However, some fine art printing services decide to offer all the fine art papers known to man! This can be troublesome in that it can be confusing with so many options available. Furthermore, it could be likely that some of these lesser used or liked fine art papers could be sitting on a shelf exposed to the elements for a long time which is not ideal!

Convenience

An easy to use and simplistic ordering process is always a good start for time pressed artists and photographers. Being able to upload your images and know they are being cared for can create a great peace of mind for you. As an artist or photographer is important to free up your time so you can focus on creating your artwork. Therefore, always find a fine art printing service that you trust to take this hassle away from you. Also, it’s worth considering if your fine art printing service are easy to get hold of? If you have a pressing question, will they come back to you in a reasonable time period with answers, advice and suggestions? The art and photography industry can be incredibly subjective so it’s always great to have someone to validate your processes and work with. An excellent fine art printing service will do this for you and assist every step of the way.

It’s also worth remembering, cheap is not always best. You are looking for a fine art printing service rather than a photocopy shop! With a slightly higher price, you’re much more likely to receive a more personal service with great communication and advice in addition to the best fine art printing materials available.

Please feel free to contact us for a quick introductory chat, we would love to find out more about you and how we can help you as an artist or photographer. We pride ourselves on excellent customer service so you can also contact us on 07809 381 978 either over the phone or by WhatsApp. You can also get in touch through Facebook Messenger at anytime.

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Hahnemühle Natural Line

Just last week we received a very exciting parcel from the Hahnemühle mill in Germany. This small hemp bag, with an agave ribbon contained a bamboo USB stick. This wonderful gift tied in with their new Digital FineArt paper range; Natural Line, which is officially being launched on the 31st October.

The Natural Line has a special place in the Hahnemühle Digital FineArt Collection. It focuses on FineArt inkjet papers made from unique raw materials. These plants that provide the cellulose for the paper manufacturing, require minimal maintenance, grow quickly and don’t use any pesticides. Their rapid growth means that more cellulose can be produced in the same area than that with other raw materials. Further to this they also require much less water, helping to save valuable resources and protect the environment.

As a Hahnemühle Certified Studio we have the privilege of a sneak peak at this new range. The Natural Line contains three papers, one of which was their pre-existing Bamboo giclée paper. The three papers which include two new products are;

Natural Line – Agave

Made from 70% agave fibres and 30% cotton rag.

Agave is a plant which is also known for making tequila! This plant is native hot countries including Mexico. The base material (sisal fibres) stand out with a bright white natural tone and this fine art paper does not contain optical brighteners. The rough, yet delicately defined surface texture gives the subject a captivating sense of depth and impresses with a pleasant, soft feel.

Natural Line – Bamboo

90% bamboo fibres and 10% cotton rag.

This Bamboo fine art paper was the first in the world to be made from 90% bamboo fibres. The unique combination of sustainable bamboo fibres, soft surface texture and impressive print quality gives the artwork outstanding expression and soul.

Natual Line – Hemp

60% hemp fibres and 40% cotton rag.

Hemp is one of the world’s oldest and most versatile natural fibre. This paper’s base has a bright white natural tone, and thanks to the bright white colour of the hemp fibres, no optical brighteners are required. The lightly textured surface gives the paper a pleasant, silky feel.

We can’t wait to get our first order in for the Hahnemühle Natural Line and give the fine art papers a trial run through the printer! We will keep you updated as to when they are available through our online ordering system.

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ArtSure and why we have left the accreditation…

After a long and difficult deliberation, we have had some frustrations with the Fine Art Trade Guild and their ArtSure scheme. Therefore, we have consequently taken the decision to leave ArtSure as we believe this is in the best interest of our clients and is no longer adding value to your fine art giclée prints.

At The Artist’s Print Room, we are constantly striving to push the limits and expectations from fine art giclée printers. We believe an outstanding print quality with great definition; precise and accurate colour reproduction is paramount to this quality. Moreover, consistent reproductions of prints are critical to this standard.

The previous scheme – Approved Printer Programme

Previous to ArtSure, The Fine Art Trade Guild had a standard for printers, known as the Approved Printer Programme. Fine art giclée printers would submit their offered substrates to an independent UKAS approved laboratory for testing. This would test for blue wool scale and lightfastness. If your prints were approved and successful you would receive a certificate. Unfortunately, this was a time consuming and costly exercise with each paper type costing approximately £140 plus VAT. Therefore, change was required and was very much welcome!

The current ArtSure scheme

ArtSure was seen as a great step forward with a predesigned set of standards in giclée papers, inks and printers. It was fortunate in meaning there were no more expensive UKAS lab costs. In particular for us here at The Artist’s Print Room, this equated to a massive cost saving as we were offering 12 different substrate qualities at the time. Consequently, we could pass that saving onto our clients. To begin with in the first year, just three fine art printers signed up to the ArtSure scheme, however, it rapidly expanded.

My initial concern regarding this was the new roll out. For us, it felt the focus was no longer on fine art printers, but it opened the market to self-publishing artists and photographers. Furthermore, it enabled anyone with an approved printer, ink and paper combination to have the ArtSure status, thus, in our opinion losing credibility. Anyone could spend just half an hour and with a few clicks have all the specified materials on the ArtSure list. This would subsequently mean they could gain the ArtSure status. Regardless of the quality of the prints they produced, whether pixelated, blurred, visible banding, missing ink spots or fingerprints they could still be a member of this accreditation. Furthermore, there was no audit trail which was previously required under the old system. Individuals could easily swap products for cheaper alternatives of a much lower quality as this was not checked and audited; therefore this poor quality could be deemed approved by ArtSure.

Under this scheme, it felt like anyone could purchase the required equipment and then purchase the ArtSure accreditation. This was foregoing the years of dedication to the industry, knowledge and expertise we truly believe makes an outstanding fine art giclée printer. I voiced my concerns to the Fine Art Trade Guild and was invited to speak to the guild committee. However, sadly, my invitation never arrived, and I therefore have doubts over the aim of this programme and the true motivation behind it.

Moving forward, the Fine Art Trade Guild have now introduced a partnership with Innova paper, and this will be launched in China which we have our doubts over. It is important to note here that Innova are not a fine art paper manufacturer. Whereas, there are other manufacturers in the industry which are seen as market leaders and have a wealth of experience in paper manufacturing which are not involved in this process, and we believe this is a massive oversight and rather unfortunate. We are concerned that this programme is now no longer trying to strive to improve standards throughout the industry.

The ArtSure slogan, is ‘digital print quality you can trust’. We no longer feel that we can support this in the best interests of our clients. We do not believe that the quality of a fine art print is at the forefront of the programme and thus we will be taking a step back. The focus appears to be on the ‘materials’ used within fine art printing whereas we know there is much more to this process. Good quality materials do not make an outstanding giclée print. It is the knowledge and expertise of the people behind these businesses that bring the true quality and added value to the final product.

Sadly, we feel that the point of the scheme has been missed and we are dubious of the motivations behind this. We really hope this is not motivated by revenue.

Here at The Artist’s Print Room, we want our clients to have outstanding quality prints, and sadly, we no longer feel that ArtSure are supporting the industry in this way with their new principles so will be taking a step back from the scheme. We trust you understand the difficult decision we have come to and if anyone would like to discuss this further, please do not hesitate to contact us. Our primary focus is to support and develop the industry and consequently providing our clients with the highest quality prints.

The Artist’s Print Room

We are still the only UK based fine art printer to be accredited by Canson Infinity, Hahnemühle Fine Art, Epson Digigraphie and ILFORD Photo, so rest assured you can trust our quality and fine art printing processes. If you would like further information on anything we have highlighted above or have any questions, please do not hesitate to get in touch.

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Bespoke Christmas Greeting Cards

It’s coming up to that time of year again… The nights are starting to draw in, the temperature is dropping and our supermarkets are being stocked full of seasonal goodies! Christmas is now just around the corner and it’s time to start planning.

This year, why not do something extra special and have your artwork or photography printed onto bespoke Christmas greeting cards? You could increase your turnover by producing your artwork or photography as an additional product. By having your image printed on a card, you’re offering your customers something truly special and bespoke. You could take your favourite winter holiday image, whether this be either a photograph or a painting of the scenery and turn it into greetings cards that recipients can keep and frame.

Bespoke Christmas Greeting Cards

Our greetings cards are digitally printed using pigment inks and FSC approved acid free 300gsm card. This allows you to order quantities as low as twelve-cards per design, provided they are on the same substrate (we also provide discounts for larger quantities). We offer various sizes including; 6×4″, 7×5″ or 8×5.6″ all available as either portrait or landscape (folded along the long side). Additionally, we can produce square cards for something a little different which are 100x100mm and 145x145mm. Each greetings card can be printed either with or without a border and we also include a small thumbnail on the back of each card of your work and also the image title, your name and website address.

But, the best bit! You don’t need to worry about downloading a template and having to layout the design yourself! We are happy to take that pressure away from you. Once you upload your image through our online ordering system we will design and proof your greetings cards (free of charge!) Of course, we will send you a proof for approval before going to print ensuring you’re happy with your personalised product. Our minimum order is just twelve greetings cards per design and all are provided with corresponding envelopes and cello sleeves and are sent to you flat packed and pre-creased so your cards are ready for their handwritten note and then the postbox!

Turnaround time for greetings cards printing is between five and ten days, however, this can be slightly longer at peak times so please check with us if you’re working to a tight deadline.

Order your bespoke Christmas greeting cards online using our simple to use online order form.

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Stunning prints require a stunning finish

Stunning prints really deserve a special and stunning finish. So, if you’re looking for that something that’s different and extra special to finish your print, why not choose to have deckled edges? This option is available on all paper types we offer and print on. You will find that this finish can really add a special touch to both your fine art reproductions and photography work. You’ll also find that deckled edge prints give a truly expensive and exclusive looking finished product.

Deckled edge prints provide a wonderfully, beautiful finish to any print. With the gentle feathered but uneven edges, your print is guaranteed to stand out. Additionally, deckled edge prints look incredible once float mounted against a contrasting colour backing board. You will also find that this finish really adds to the texture of the cotton rag papers we offer, such as, the Hahnemühle Museum Etching. We find that the deckled edging gives the best results with with cotton rag papers, however, we can produce on any paper type. View all of our paper options here.

We hand deckled the prints here at The Artist’s Print Room (yes, that means tearing each edge individually, by hand, one at a time!) This option is available for prints both with borders or without borders, it’s up to you which you would prefer. To order deckled edge prints, simply use our step-by-step online order form to specify your requirements.

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Gloss Fine Art Papers

So, here we will run through the gloss fine art papers we offer in addition to the textured and smooth fine art papers previously looked at.

Gloss Fine Art Papers

The most important thing to be aware of here when considering a gloss fine art paper is that when we talk about gloss, this tends to be more of a subtle lustre or satin finish. Not the high gloss on your standard photographic prints that you get produced. These finishes are much more subtle and arguably more exquisitely beautiful.

Canson^® Infinity Platine Fibre Rag

Canson Platine Rag - The Artist's Print Room — ©Canson Infinity Platine Fibre Rag

The Canson® Infinity Platine Fibre Rag is a combination of the combination of the premium 100% cotton Platinum paper that Canson has supplied for many years to the original Platinum and Platine photographic market, with the latest microporous coating. The paper contains no optical brighteners, thus not affecting the longevity of the print. An excellent choice of paper for both black and white or colour images. A 310gsm which overall provides a stunning satin finish to your image.

Hahnemühle PhotoRag Satin

Photo Rag Satin - The Artist's Print Room — ©Hahnemühle Photo Rag Satin

As above, this paper from but from Hahnemühle is a 310gsm, and has a satin finish. A smooth surface and 100% cotton rag, the paper has a lovely natural white tone. A unique paper in that when you image is printed on this paper, the unprinted areas remain matt, however, the printed areas have a slight sheen. Your image almost shimmers in the light.

Hahnemühle FineArt Pearl

FineArt Pearl - The Artist's Print Room — ©Hahnemühle FineArt Pearl

The Hahnemühle FineArt Pearl is a 285gsm paper and provides your prints with a sensational pearl finish. This paper isn’t cotton rag like others previously mentioned, it’s a 100% a-cellulose paper (which is wood pulp) and has a bright white tone. Due to this bright white, prints will have impressive colour contrasts and the black in your images will have an incredible depth.

Hahnemühle PhotoRag Baryta

Photo Rag Baryta - The Artist's Print Room — ©Hahnemühle Photo Rag Baryta

Photo Rag Baryta is a 315gsm, 100% cotton paper and the ‘glossiest’ paper we offer. Using barium sulphate in the inkjet coating, ensuring the typical gloss that makes this paper a genuine replacement for traditional Baryta papers from analogue labs. The coating on this paper provides a water resistance and the tone of the base paper lends well to black and white prints.

ILFORD Gold Fibre Silk

The ILFORD Galerie Gold Fibre Silk 310gsm is a stunning traditional fibre based substrate. This fine art paper has both the look and feel of a traditional baryta paper which many artists and photographers love. With a high quality finish, it produces stunning black and white images in addition to colour prints, thanks to its excellent sharpness and wide colour gamut.

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