Bespoke Greetings Cards

Did you know that you don’t just have to have your work reproduced as standard prints? You can also create bespoke, stunning greetings cards from your art or photography. By having your image printed on a card, you’re really giving loved ones something bespoke, personal and special. You could take your favourite holiday image, whether this be either a photograph or a painting of the scenery and turn it into greetings cards that your recipient can keep and frame.

Our greetings cards are digitally printed using pigment inks and FSC approved acid free 300gsm card. This allows you to order quantities as low as six-cards per design, provided they are on the same substrate (we also provide discounts for larger quantities). We offer various sizes including; 6×4″, 7×5″ or 8×5.6″ all available as either portrait or landscape (folded along the long side or short side). Additionally, we can produce square cards for something a little different which are 145x145mm. Each greetings card can be printed either with or without a border and we also include a small thumbnail on the back of each card of your work and also the image title, your name and website address.

But, the best bit! You don’t need to worry about downloading a template and having to layout the design yourself! We are happy to take that pressure away from you. Once you upload your image through our online ordering system we will design and proof your greetings cards (free of charge!) Of course, we will send you a proof for approval before going to print ensuring you’re happy with your personalised product. Our minimum order is just six greetings cards per design and all are provided with corresponding envelopes and are sent to you flat packed and pre-creased so your cards are ready for their handwritten note and then the postbox!

Turnaround time for greetings cards printing is between three and seven days, however, this can be slightly longer at peak times so please check with us if you’re working to a tight deadline.


Did you know that we are the only fine art printing company in the UK which has been accredited by Canson Infinity, Hahnemühle Fine Art, Epson DigigraphieILFORD and the Fine Art Trade Guild? Also, why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

Don’t forget to follow us on Facebook and Instagram too!

Certificates of Authenticity

Following on from our recent blog post about Limited Edition Prints, another important aspect to consider as an artist, are certificates of authenticity. These can provide your customers reassurance in your product as well as protecting the integrity of your finished print and prove a vital part in the resale of your artwork. Certificates of authenticity are designed to protect and authenticate your fine art prints, these certificates add a perceived layer of value and trust to your customer.

What is involved?

Overall, there are typically there are a certain few things that should be featured on each certificate of authenticity, this includes;

Title of the artwork: arguably one of the most important features. What’s the name of your piece?

Artist: Again, as above, one of the most vital pieces. This if your ‘stamp’ and seal of approval on the certificate. This ensures your link to the work and gives you the recognition that you deserve.

The date: This may seem an obvious aspect, but it is worthwhile to at least add the year to the certificate of authenticity.

Certificate/print number: Particularly important if your print is part of an
edition. For example print number 1 of 500 – this information should be included on each of the certificates of authenticity – every certificate will then contain a different edition number. Each print will then have the corresponding number pencilled on to provide a pair! One certificate to one print.

Material/Printer/Inks: These are other variables that can add perceived value to your piece. By detailing the substrate printed on in addition to the quality inks, this highlights and ensures the archival qualities of your fine art print.

Finally, you, as the artist should sign the certificate in addition to signing the print too! Additionally, on the certificates of authenticity that we provide, you can find a declaration of intent, signed by both the artist and publisher.

How do certificates of authenticity benefit you?

By supplying certificates of authenticity with each of your prints you show your dedication as an artist and this can make your artwork easier to sell as well as potentially increasing the sales value. By having this document linked to your work, your customers can have the confidence in purchase. Sadly, there is no guaranteed way to 100% prove the piece is authentic further down the line when it comes to reselling, however, providing a certificate of authenticity provides good reassurance where possible. In addition to this, many companies, including fine art paper manufacturers and organisations such as ArtSure from the Fine Art Trade Guild offer services where you can upload details to an online register to give an extra level of confidence.

Here at The Artist’s Print Room we can provide certificates of authenticity with each print. Please contact us to discuss your particular requirements and we will be more than happy to help.


Why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

 

 

Win 4 x A4 Prints on Canson Infinity Rag Photographique!

Now if you follow us on Instagram, you would have seen our latest competition which is also now open on Facebook!

We are giving you the opportunity to win 4 x A4 prints on Canson Infinity Rag Photographique 310gsm. This stunning paper is a 100% cotton museum grade white fine art and photo paper. The exceptional smooth white tone is achieved during manufacturing by introducing natural minerals to the process. It has been developed to address the need for continued longevity requirements in the Digital Fine Art market. This paper offers a unique and extra smooth surface with an incredible sensual feel to it. It additionally provides one of the highest achievable Dmax currently available on the market, thus making it ideal for fine art photography, artwork reproductions and fine art printmaking.

How to enter

To enter our competition, all you need to do is share with us the image you would like printed. Just make sure you use the hashtag #TAPRWin when sharing your image on Instagram so we can see your lovely work! Alternatively, share your image on Facebook in our post comments! Then once shared, head over to our competition page to enter your details and register your entry. This competition is running from the 5th April 2019 through to the 28th April 2019 on Instagram and 13th April to the 28th on Facebook. We will select the lucky winners (one from Instagram and one from Facebook), at random, on the 29th April at 7pm! We will be in contact with the lucky winner to arrange printing of your image and shipping will be included too!

Full terms and conditions can be found on our competition page but if you have any questions, please feel free to contact us and we can help.


Why not sign up to our mailing list to keep up to date with news, products and future competitions at The Artist’s Print Room – just complete the form below.

Canson® Infinity Rag Photographique

Canson have been producing fine art papers for artists since 1557 – that’s a long time, so they clearly know what they are doing! Since 2008 they extended their range to include the Canson Infinity brand which is their fine art inkjet paper portfolio. We have an extensive range of Canson Infinity papers and canvases for you to order, giving you a wide and varied choice in substrates including the Canson® Infinity Rag Photographique.

One of the most popular papers in the Canson Infinity range is the Canson Infinity Rag Photographique 310gsm, used by many of our clients, this paper proves timeless in addition to being a beautiful product to work with.

Canson

Canson has almost half a millennium of history. Due to the traditional mix of paper making and advancements in technology, Canson has remained one of the last pioneers in the manufacturing of photographic paper. Between 1850 and 1880, Canson was seen as a major innovator in the photo paper industry. Leading on from that to the present day, the Canson Infinity range produces exquisite papers for digital inkjet printing. Canson Infinity is the brand name given to Digital Fine Art & Photo range crafted in the Canson mill offering you museum quality fine art papers.

Canson® Infinity Rag Photographique

Canson Infinity Rag Photographique - The Artist's Print Room

Canson Infinity Rag Photographique is a 100% cotton museum grade white fine art and photo paper. The exceptional smooth white tone is achieved during manufacturing by introducing natural minerals to the process. It has been developed to address the need for continued longevity requirements in the Digital Fine Art market. This paper offers a unique and extra smooth surface with an incredible sensual feel to it. It additionally provides one of the highest achievable Dmax currently available on the market, thus making it ideal for fine art photography, artwork reproductions and fine art printmaking.


Why not sign up to our mailing list to keep up to date with news and products at The Artist’s Print Room – just complete the form below.

 

Deckled Edge Prints

If you’re looking for that something that’s extra special to finish your print, why not choose deckled edges? This option is available on all paper types we print on. You’ll find that it gives a truly expensive and exclusive looking finished product.

Deckled Edge Print - The Artist's Print RoomDeckled edges provide a wonderfully, beautiful finish to any print. With the gentle feathered but uneven edges, your print is guaranteed to stand out. Additionally, deckled edge prints look incredible once float mounted against a contrasting colour backing board. You will also find that this finish really adds to the texture of the cotton rag papers we offer, such as, the Hahnemühle Museum Etching. We find that the deckled edging gives the best results with with cotton rag papers, however, we can produce on any paper type. View our paper options here.Deckled Edge - The Artist's Print Room

We hand deckled the prints here at The Artist’s Print Room and this optionis available for prints both with borders or without borders. To order, simply use our step-by-step online order form to specify your requirements.


Why not sign up to our mailing list to keep up to date with news and products at The Artist’s Print Room – just complete the form below.

 

 

 

The Importance of Accurate Image Capture

As an artist, it’s most likely that you need to have an element of image capture in your work processes in order to be able to reproduce your artwork. Accurate image capture is something that should never be underestimated. It’s important to remember that your finished print will only ever be as good as the digital file; the scan or photograph of your original piece.

Image Capture

To capture all the beautiful hues and fine detail in your original, the most important thing is that you have an inital high resolution digital file. Using our vast experience, understanding and specialist equipment, we can capture the subtle hues, fine details and brush strokes in your original artwork through the process of artwork photography. Meticulous handling and understanding is required as it is extremely important that any fine details are not missed as these will subsequently be missing from your final fine art giclée print. Image files can be obtained through scanning your work or alternatively through photography. This process can be very difficult to undertake at home due to the extensive equipment required.

File Size

Here at The Artist’s Print Room, the final file of each piece of artwork we photograph is a massive two-times the size of the original piece. With the incredibly large file size it ensures that there is a high-colour depth, all intricate details included, full tonal range and perfect accuracy. For example, a typical 16” x 12” original piece will produce an image file of 160mp and a immense 900mb (16bit) at 300dpi. Consequently, this will then produce a final giclée print of 36” x 24” at 300dpi without any additional enlargement or distortion.

Specialist Set Up

Some artworks can be particularly difficult to photography, for example dark oil paintings or paintings with a vast amount of texture, however, our specialist set up allows us to control lighting, ensuring we are not capturing any glare which could distort the final print.

To find out more about our Artwork Reproduction Services please take a look at our dedicated page or alternatively, contact us for more information or any questions you may have.

 

 

 

 

 

Meet the Artist – Tat Effby

In our most recent blog article series, Meet the Artist, we have spoken to hilarious cartoonist and illustrator; Tat Effby. She had us in stitches with some of her responses!

When did you first discover your passion for art and drawing?

I’ve always been a doodler but I didn’t fully commit to being a cartoonist and illustrator until about 5 years ago.

Where do you get your inspiration from and what inspires you?

Inspiration for my cartoons comes from anything, anywhere and anyone – so just be careful what you say when I’m in ear shot because you might find yourself immortalised in a badly drawn joke.

©Tat Effby

How would you describe your style?

Inconsistent but amusingly so.

What makes you different from other watercolour artists?

I’m not as good as them.

What is the most challenging thing for you when it comes to painting?

I’ve been known to spend a whole afternoon drawing a hand. And I find cats to be indescribably difficult to capture to my satisfaction.

©Tat Effby

What would be your career dream? What project would you love to be able to do/complete?

I’m doing my dream job as a cartoonist and illustrator so I just want to keep on going, keep improving and keep trying to be funny.

Did you have another career prior to this? If so, what was it?

I was an Advertising Copywriter and I came up with ideas and headlines for advertising campaigns, our office was kinda like Mad Men but with a West Midlands accent. It’s one of the most fun jobs you can have even if you weren’t allowed to do puns. But I’ve been making up for that over the last few years. 

Where would you like to see yourself in 10-15 years’ time?

In 10-15 years time I’d love to see myself in the mirror, wrinkle-free, but I doubt that’s going to happen.

What is your typical day like?

©Tat Effby

Lots of coffee, a run, then lots more coffee at my desk drawing. Most days are this pattern, unless I’m picking up prints from The Artists’ Print Room, in which case I get to have a lovely jaunt to countryside.

What do you love the most about your job and what do you hate the most?

I love working from home, working for myself, getting paid to draw daft things and laughing at my own jokes.  I hate hands, but I can always put them in pockets if they’re proving too difficult to draw.

How do you relax after a long day?

I like to bake a cake and eat a lot, if not all, of it.

©Tat Effby

You can find out more about Tat and her work on the following;

Instagram : @tat_effby

Twitter: @tat_effby

Twitter: @RTBinshrewsbury

Facebook: @aloadoftat

Facebook: @roundthebendinshrewsbury

Website: tat-effby.com

 

 

Meet the Artist – Kathy Little

Kathy Little - The Artist's Print Room

In our latest Meet the Artist blog article, we speak to Kathy Little. Kathy graduated from the Royal College of Art and her paintings reflect a continued interest in capturing and expressing the innate qualities in the landscape.

When did you first discover your passion for art and painting?

When I completed a three year degree in Fine Art followed by a three year post graduate course.

Where do you get your inspiration from and what inspires you?

I am inspired by both natural and manmade landscapes and I am interested in how they alter and reshape over the passing of time,

How would you describe your style?

©Kathy Little

I am influenced by a colour combination, a surface texture or an unusual composition or shape and make mixed media abstract paintings to reflect this interest. I use a process of layering and subtracting to invent new compositions and I do not have a fixed image in mind when I start but prefer to let the imagery develop in an intuitive and experimental way.

What makes you different from other  artists?

Vibrant colours combined with neutral tones, a mix of mediums and an individual and personal visual mark making language.

What is the most challenging thing for you when it comes to painting?

For every one painting that I’m happy with, there are probably four that I’m not . Im rarely happy with a piece, so I keep working until I feel it’s done.

What would be your career dream? What project would you love to be able to do or complete?

Collaborating with outside agencies.

Did you have another career prior to this? If so, what was it?

Teaching in art schools.

©Kathy Little

Where would you like to see yourself in 10-15 years’ time?

Continuing to paint and exhibit my work.

What is your typical day like?

I like to start the day early and don’t have far to travel as I work from my studio in the garden. I have radio 4 on continually for company. Day to day tasks include keeping my  website updated, emailing, keeping up to date with the contemporary art world and reading blogs and art and design magazines.

What do you love the most about your job and what do you hate the most?

I enjoy the challenge of constantly moving forward with my painting and sharing this experience with other like minded individuals. 

©Kathy Little

How do you relax after a long day?

Cooking and sharing a meal with family and friends.


You can view more of Kathy’s work on her website or on Instagram.

You can purchase Kathy’s Prints and Originals from her Etsy shop.

 

Meet the Artist – An Interview with Richard Smythe

Richard Smythe - The Artist's Print RoomIn our latest blog article featuring  our clients, we’ve spoken to freelance illustrator, Richard Smythe. We love Richard’s adorable drawings, in particular his dancing squirrels (which you can view on his website!)

When did you first discover your passion for illustration?

From a very young age I enjoyed to draw and create things. Eventually I realised art and design came more naturally to me than other subjects at school. I remember first being commended on a drawing I did at primary school. Probably the only time I was ever praised for school work, however!

Where do you get your inspiration from and what inspires you?

Inspiration for my illustration work comes from many sources. Usually just everyday life. Whenever I see something funny or an unusual circumstance.

How would you describe your style?

richardsmythe_dogandcatadventure
©Richard Smythe – Dog & Cat Adventures

Quite loose and naive, but representational enough for young children to understand and recognise.

What makes you different from other illustrators?

It’s hard to say but it’s probably more down to how I interpret the subject matter  in the author’s manuscript. Each illustrator comes at a project differently based on their own experiences I think.

What is the most challenging thing for you when it comes to illustrating picture books?

Meeting a deadline. I normally schedule my time on a project before I start, but other things beyond my control get in the way which inevitably delay the project. If the picture book requires me to draw something unusual or complicated then this requires extra study or experimenting, which all has to be done under the time constraints of the deadline.

What would be your career dream? What project would you love to be able to do/complete?

richardsmythe_watersong
©Richard Smythe – Water Song

I honestly don’t know. I really just love what I am fortunate enough to be doing now, which is illustrating picture books for kids. I suppose it would be nice to work on some of my own stories at some stage as I always have lots of ideas.

Did you have another career prior to this? If so, what was it?

I had a lot of other nondescript jobs to make ends meet before I was able to make a living as an illustrator. I worked with young adults with physical and mental disabilities for the longest time though.

Where would you like to see yourself in 10-15 years’ time?

mouse_cup_richardsmythe
©Richard Smythe – Mouse Cup

To carry on with what I’m doing and perhaps to have had a few more awards under my belt would be lovely.

What is your typical day like?

Very long. I get up around 6am and finish up about 6pm. I split my time between client work and personal development. As well as exercise and dog walking!

What do you love the most about your job and what do you hate the most?

richardsmythe_foxbytheriver
©Richard Smythe – Fox By The River

I think the most enjoyable part is creating something out of nothing. The opportunity to interpret an author’s story is a great privilege to me. Picture books (if they’re good ones) can be passed down from generation to generation of kids, being cherished and loved forever. That’s a great thing to be part of. I suppose the main thing I dislike is not being paid on time, which can happen unfortunately.

How do you relax after a long day?

I like to read and do exercise, and just hang about with my family. 


You can find out more about Richard’s work on his website or through his social media accounts; Instagram and Twitter.

 

 

Meet the Artist – An Interview with Nicky Thompson

We’ve decided to ask some of our clients a few questions, we love learning more about what and how artists are inspired. Here in our first blog post, we’ve spoken to artist Nicky Thompson.

Nicky Thompson - The Artist's Print Room
Nicky Thompson

When did you first discover your passion for art and painting/drawing/photography?

By drawing with my mum as a child, my early works were mostly bad copies of Roy of The Rovers comics.

Where do you get your inspiration from and what inspires you?

Nature and the work of artists and illustrators I greatly admire. I especially like Singer Sargent, Barbara Hepworth, Peter Firmin, Charles Tunnicliffe, Frank Henry Mason and Ken Paine.

How would you describe your style?

I have a few styles (being mostly a commercial illustrator)…I am probably best known for my 1930’s inspired travel posters, although I love portraits (pastel/charcoal) and botanical work.

What makes you different from other artists?

Virgin Visual, Nicky Thompson - The Artist's Print Room
Virgin Trains, Nicky Thompson

I tend to have a direct style. I think this comes from my background as a commercial illustrator/designer…I like images that work viscerally. I enjoy pushing the boundaries between fine art and commercial illustration. Illustration seems to be enjoying a renaissance at the moment, with people purchasing illustration as fine art print. It’s all very exciting.

What is the most challenging thing for you when it comes to your art?

Commercial work is difficult because you need to marry your intuition and instinct with the expectations of a client (and often the voices behind the client).

What would be your career dream? What project would you love to be able to do?

I think to leave behind a body of work that transcends the commercial requirements of a brief. I think of Charles Tunnicliffe and how those Ladybird Book illustrations did so much more than keep his client happy. They inspired awe in generations of children. That is a wonderful thing.

Did you have another career prior to this? If so, what was it?

I briefly flirted with the idea of being footballer! However, two left feet swiftly ended this dream…I started art school at 16 and have been doing it since.

Where would you like to see yourself in 10-15 years’ time?

Cheshire Life, Nicky Thompson - The Artist's Print Room
Cheshire Life, Nicky Thompson

Still drawing and creating pictures. It’s what makes me happy.

What is your typical day like?

I’m not sure I have a typical day! Tomorrow looks like this…coffee at home, drive to Chester University to deliver two-hour lecture. then a meeting afterwards with course leader. Drive to my studio, eat a sandwich in the car. Work in the afternoon (three projects need attention tomorrow). Finish work at 6pm, play racketball. Shower. Home, cook tea (maybe with a glass of wine). Read for an hour (The Magpie Murders). Watch a sit-com (Early Doors). Then sleep.

What do you love the most about your job and what do you hate the most?

I love drawing. My day feels exactly the same as doing art at school…but all day, which is brilliant. I never take for granted how lucky I am. I don’t hate anything, although admin and invoicing is never a daily highlight.

How do you relax after a long day?

Playing racketball, cooking dinner, glass of wine and reading.


To see more of Nicky’s work you can follow him on Instagram, Twitter and Facebook.